I love everything about the story of Española, the Miguel Cabrera painting that has been missing for over 100 years. I don't want to ruin it for you with a half-assed summary here (because you're totally going to read it, right?), so I won't. It's one of those rare occasions where the paper gives you something more like a New Yorker article than a grim accounting of our troubled times, and that, my friend, is to be enjoyed.
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